
Attack of the ArchAndroid
New York, NY
Views: 10,192
by Daniel Buyanovsky
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A few minutes before Lupe Fiasco's show at the Filmore in April, I watched
Janelle Monae strut by the box office, wearing a tuxedo and patent-leather
shoes, into an audience filled with skater kids in skinny jeans and
tank-tops. Somehow, she didn't look out of place, and *definitely *didn't
act as if she was.
This, is the beauty of Janelle Monae - even when a sore thumb, she glides
right in unnoticed. And with her debut album *The ArchAndroid, *she's been
able to garner mass attention and acclaim from the same people who would
have called her weird, eclectic, and *different *in grade-school. Still, she
stews in the labels, and just keeps making her positive music in a way so
self-assured that she never emanates pretension.
Technically, Monae might call herself an R&B artist, but she's beyond that -
mostly because her debut album is better heard outside the bedroom than
between the sheets. She does, however, deal with many of the same issues her
fellow songstresses do.
Despite efforts to parallel herself with cyborgs and aliens from outer
space, Monae is an introspective human. And behind her at-times delicate
voice and producer Rocket's hip-swaying production, she packs a thoughtful
punch - as she wonders about femininity, fame, and love.
On 'Locked Inside,' she rhetorically croons, "I'm locked inside a land
called foolish pride/Where the man is always right/He hates to talk but
loves to fight/Is that alright?" Clearly, it's not.
And on 'Cold War,' Monae, like misfits who came before her, reassures the
outcasts that there is a place for them, as she sings, "I'm trying to find
my peace/I was made to believe there was something wrong with me."
For every identity crisis, though, Monae tosses in bouncy tracks like the
Big Boi-assisted 'Tightrope' and 'Dance or Die.' Thus in embracing her inner
nerd-girl, Monae fights the mold while staying in-tune with the fact that
sometimes people just want to *move*.
But rather than going overly poppy and falling into the Madonna archetype of
what a female star should be, she forces acceptance by way of her wildly
original tunes and presents what a female star *could *be.
**
*Panama** Readies His Passport *
by Daniel Buyanovsky
Since appearing on the runaway HBO hit *The Wire, *rapper Panama (aka
Armando Cadogan) has switched gears to music and is fervently building a
buzz in the over-saturated New York hip-hop scene.
Though he's spent time living everywhere from DC to Alaska to his home
country, Panama was born in Brooklyn and he's returned to find the success
he knows only this city can bring him. With a new video set to be premiered
on MTV in early June, and appearances lined up in Harlem and Times Square,
Panama's poised to finally get off his grandma's couch.
*Your new single 'Addicted' sounds a bit familiar. Do you think you're
bringing something unheard with your music? *
Yeah, that's why I'm hard to market. I started from ground level. I came
from nothing and people don't know what to do with me. I'm not a character -
look at Fat Joe, DMX, 50 Cent, they're all characters. But the people who
had longevity by being completely who they are - Jay-Z, Nas. It took them a
long time to get in, but they're still here.
*Right. *
When my time comes, I'm gonna be here because I came in being me. It's just
Panama. I don't know how to be anything else.
*Are you still going to be here, though? You started out as an actor and I
understand that's your passion, so do you have the patience to make it in
the music industry?*
I think I'm always going to be doing music. I don't know where my career's
going to go, but I'm going to do any projects that are right for me to
represent. I might do the sixty-pound weight loss like 50 Cent. I'm not
afraid to do that. I've been in plays acting as a girl, I've played Sir
Andrew in Shakespeare. I'm familiar with these roles, and I'm there before
people even know I'm there. Whatever I might have to do, I'm already
comfortable with it.
*Are you as comfortable with music? *
Yeah. I can protect myself with the battle rapper, the Mos Def's, the Jay-Z
type of rappers, the dance type of rappers. Whatever the case might be, I
fit in any category.
*When you're writing, is it to get through pain or to explore yourself?*
I write to identify with my pain, my struggle, my religion, my love, but in
a commercial way to make money. Because at the end of the day, you know, you
have to make money.
*Where's the line between selling out and making money?*
Selling out is when you're not comfortable doing what you're doing. Like the
guys who made 'Stanky Leg,' they're actually spitters. They actually rap.
They're not dancers. But they came out with 'Stanky Leg,' and now they're
trying to actually rap and it's not working because the world knows them for
*that. *But I'm comfortable with 'Addicted.' That's me, when I get my fly
shit.
*MGMT said something in a BlackBook interview about the indie Brooklyn
bands, and how they're so insular and afraid of fame that they'll never get
it. Do you have any issues with that?*
No, no. I'm not *searching *for fame, but I am doing this to get on another
level, to feed my family. I know this is working for me, but fame isn't my
search. Like if a guy offers me a feature for $1500, but he's horrible, I
won't do it. I could easily do it, but if I'm doing music, we're going to
put out good music.
*So you have integrity.*
Yeah, I have integrity. Self-respect, responsibility.
*What do you plan to do if you become successful?*
Give back. I want to open schools in Panama. A lot of my career is going to
based around Panama. I still have family members there, waking up and trying
to figure out what to eat, so I'm going to use my talent to give back to my
country, man.
*Okay, but New York is your temporary home. Do you feel comfortable here?*
New York makes you feel like you're back home, no matter where you're from.
You have to feel comfortable here. It makes you feel that way, because it's
that place, where you can literally make your dreams come true. You have any
avenue available to you.
*What's your New York, though?*
My New York is love. Love, to me, is what you make out of it, how you create
it. I love this city. I cook in this city, I mold it to my comfort. You can
choose your circumstances and go in any direction you want to go - you can
make whatever routine you want to make. You make your own world. I could
meet that guy [points at passerby] right there, and ask him how his day
went, and he could probably tell me he went to a meeting with Mac, then he's
going to a theatre, and he's hopping on a plane to India. Know what I mean?
You can never count anybody out in this city, because you don't know what
they're up to - everyone's grinding.
*Do you feel disconnected from any part of the city?*
I'm not the Village New York, or the Lower East Side. That's an artsy world
that I don't know.
*Do you want to?*
I would love to. I would love to learn about it, but to engage in it? I
think that's years, to really understand the relationships and the thought
process of the people.
*People down there think more abstractly, but has staying away from that
made you more financially-focused?*
Yeah, the rest of New York really disciplines you. It makes you more
responsible. You have to live. That pressure that's applied to you makes you
stand up and say 'This is what I want to do.' Personally, I work hard
because I feel like I have to catch up - I'm already looked at like the kid
from *The Wire. *Like, 'Why is he here? Why is he rapping?' Because of my
responsibility. Because I live on the couch, with my grandmother. I'm not
frontin' like I have my own spot. I'm grinding. When I get a check, I'm
putting that back into my music. A lot of people out here front, though.
*How do you mean?*
Like people who say 'blogging is all I do.' Really, bro? You make that much
money off blogging? A lot of people front. Like people who say 'I represent
so-and-so.' Really? You're the representer, or you've been working for free
this whole time? I've seen people drop off - bloggers, publicists, producers
- because they were living a fake life. But that's for them to talk about it
and for me to actually live it.
Just the other day I got turned down from a club, and I'm not the type to
say 'Yo, I was on *The Wire.*' Who cares? That show has been dead for two
years. My reality is that I'm doing my thing, but I'm not *there*, yet. I'm
grinding, but I'm not at a place where I can say 'Panama' and they'll let me
in anywhere.
*How soon will you be there?*
When God blesses me, man. I feel I'm at the tip, but he's testing my will,
my drive, my motivation. I feel that it's coming, though. I give it a couple
more months, but I do feel it. When it comes, I need to be ready. My
preparation is asking myself if I'm *really* ready, to jump in NYC at 7am,
and hop on the plane to LA by 9am to meet a producer.
*Once you start that life--*
--It's over. And that's my preparation, man. This is what I signed up for.
You have to commit to something, then excel. You can't just *do *it, you
have to excel.
*Who's your hero right now?*
My parents, man. I don't know these other guys to call them my heroes. Who
do I look up to? Quincy Jones.
*Not Kanye? Not Drake?*
Nope. Quincy Jones, man - producer, executive, innovator. He came from
nothing and became something respected. He's made careers. He's my idol,
man.
But my heroes - my mom and my pop, man. I don't know Jay-Z. I respect what
he does, but the finale? Quincy Jones is still here. Michael Jackson?
Prince? My mind's not on Jay, it's on longevity. Quincy Jones, man. The
strong and the wise survive this game, and Quincy is both of those.
*Do you think the same about New Yorkers? The strong and the wise?*
In New York City, you have to stand up for what your dreams are. Chase your
dreams, with passion, education. You can't be an idiot. You can't be thirty
years old talking about, 'I blog.' [Laughs] Let's be honest with ourselves.
Don't be thirty years old saying 'I want to do PR, and I just started.'
It'll take five years to even get noticed in this city.
*What do you say to a kid who's thinking about moving to this city?*
Well, if you come to New York, my only question is - Are you ready?A few minutes before Lupe Fiasco's show at the Filmore in April, I watched
Janelle Monae strut by the box office, wearing a tuxedo and patent-leather
shoes, into an audience filled with skater kids in skinny jeans and
tank-tops. Somehow, she didn't look out of place, and *definitely *didn't
act as if she was.
This, is the beauty of Janelle Monae - even when a sore thumb, she glides
right in unnoticed. And with her debut album *The ArchAndroid, *she's been
able to garner mass attention and acclaim from the same people who would
have called her weird, eclectic, and *different *in grade-school. Still, she
stews in the labels, and just keeps making her positive music in a way so
self-assured that she never emanates pretension.
Technically, Monae might call herself an R&B artist, but she's beyond that -
mostly because her debut album is better heard outside the bedroom than
between the sheets. She does, however, deal with many of the same issues her
fellow songstresses do.
Despite efforts to parallel herself with cyborgs and aliens from outer
space, Monae is an introspective human. And behind her at-times delicate
voice and producer Rocket's hip-swaying production, she packs a thoughtful
punch - as she wonders about femininity, fame, and love.
On 'Locked Inside,' she rhetorically croons, "I'm locked inside a land
called foolish pride/Where the man is always right/He hates to talk but
loves to fight/Is that alright?" Clearly, it's not.
And on 'Cold War,' Monae, like misfits who came before her, reassures the
outcasts that there is a place for them, as she sings, "I'm trying to find
my peace/I was made to believe there was something wrong with me."
For every identity crisis, though, Monae tosses in bouncy tracks like the
Big Boi-assisted 'Tightrope' and 'Dance or Die.' Thus in embracing her inner
nerd-girl, Monae fights the mold while staying in-tune with the fact that
sometimes people just want to *move*.
But rather than going overly poppy and falling into the Madonna archetype of
what a female star should be, she forces acceptance by way of her wildly
original tunes and presents what a female star *could *be.
**
. . . . . . . . . . . . . . . . . . . .
Last updated New York, NY 10.06.04 by Daniel Buyanovsky
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